Colophon
Here you can find everyone who contributed to the production of the exhibition Threading Landscapes.
Curators
Daniel Feldman, Katya García-Antón, María Inés Rodríguez, Ana Sokoloff
Artists
Noor Abed, Gabriela Albergaria, Leonor Antunes, Bianca Baldi, Rossella Biscotti, Ana María Caballero, Carlos Casas, Edith Dekyndt, Pierre Huyghe, Julia Isídrez, Tarik Kiswanson, Irene Kopelman, Eunjo Lee, Guadalupe Maravilla, María Angélica Medina, Hana Miletić, Felipe Mujica, Amol Patil, Laure Prouvost, Daniel Steegmann Mangrané, Erik Tlaseca, Ahmed Umar, Cecilia Vicuña, Meg Webster
With thanks to all galleries and lenders.
Production management
Rossana Miele
Exhibition manager
Loes Verschuren (PARCUM)
Exhibition design
Juliana Ziebell, Fabrizia Ferragina
Exhibition construction and art handling
Blackbirds
Graphic design
This Side Up
Lighting
Chris Pype
Video and audio
Vidi Square
Communications
Campaign and Press: Club Paradis
Museum PARCUM Communications: Joël Lammeretz and Valérie Serneels
Translation: art.english
Project team
Johan Abts, Koen Adams, Phaedra Bosmans, Melissa Dubois, Steven Dusoleil, Wouter Jaspers, Christel Kersemans, Liesbet Kusters, Joël Lammeretz, Valerie Serneels, Gerty Schols, Lupe Vankeerberghen, Lisanne Valgaerts, Karin Van Gompel, Stefan Van Lani, Nina Verhoeven, Emma Wyndaele
With thanks to all volunteers and guides.
Open Call Jury
Wim Lambrecht, Evelyn Simons, Eva Wittocx
City of Leuven
Katrien Deckers, Maarten Jacobs, Philippe Cypers, Annelies Vercruysse, Cecile Boes, Geert Wouters, Rudi Vandermeulen, Lies Libert, Liesbet Veroeveren, Pepijn Verbeeck, Joeri Steeno, Geert Verrydt, Simon Neerinckx, Kris Lahaye, Veerle Lauwers, Lisa Van Ransbeeck
Restoration of Park Abbey
The restoration of Park Abbey was carried out by the City of Leuven with the support of the Flemish Government and in collaboration with architectural firms Studio Roma and Robbrecht & Daem.
With the support of
The Flemish Government, the City of Leuven, the Institut Ramon Llull, the Calouste Gulbenkian Foundation – Delegation in France, and the Office for Contemporary Art, Norway.
Partners
Special thanks to the Alamire Foundation, students of De Wijnpers, and Mercedes Villardel.